Showing posts with label Films. Show all posts
Showing posts with label Films. Show all posts

Friday, March 18, 2011

Born On This Day- March 18th... Fred Astaire's Straight Man

From the very start of film as an art form, slightly coded gay characters were used for the easy laugh: sissies, gallery owners, interior decorators, fussy bachelors & prissy artistic types. These incidental characters added spice to the urbane sophisticated comedies of the era. The homosexual hints these minor characters provided were in juxtaposition to the livelier & sexier romantic men of the era. Film comedies deftly employed actors like Clifton Webb, Frances Langford, & Edward Everett Horton as gay comic relief with stereotypes that didn’t threatened the moviegoers, male or female.



I have always had a place in my heart for the work of Edward Everett Horton. I immediately identify Horton with his work in the Fred Astaire/Ginger Rogers musicals at RKO including the apt named The Gay Divorcee, but he provided notable roles onscreen during the 1930s included a portrayal of The Mad Hatter in the 1933 Alice in Wonderland, & a neurotic paleontologist, who first appears disguised as a woman, in Frank Capra's Lost Horizon (1937).



Starting in the early 1930s, Horton made at least 6 films a year for a quarter of a century. Reflecting his work on the stage, there were occasional serious variations in his roles. He played an unusually forceful role in Douglas Sirk's Summer Storm (1944), & he delivered a comedic masterful turn in Busby Berkeley's The Gang's All Here (1943).


Horton worked steadily for more than 60 years. He may have been a sissy, but he was no dummy. He bought up property in the San Fernando Valley starting in the 1920s. He developed what he named- Beleigh Acres, a 23-acre development where he lived with his long time partner- Gavin Gordon & his mother, who passed away at age 102.


Like a good homo, Horton collected antiques, & at the time of his death in 1970, he had a collection worth a million dollars. He was busy on television throughout the 1950s & 1960s: onscreen, voice-overs for commercials, & as host for the Westminster Kennel Club Dog Show at Madison Square Garden. Horton was on the silly Western series F Troop, playing Running Chicken, a Hekawi Indian tribe medicine man. But his most enduring work from the 1960s was as the narrator of Fractured Fairy Tales, on Rocky & Bullwinkle, in which he was prominently billed in the opening credits of every episode. This work endeared him to millions of baby boomers like me. One of my favorites of his appearances is an I Love Lucy episode, where he is cast against type as a frisky, amorous suitor.




Edward Everett Horton died in 1970, at age 84. He continued to work up until the week he passed away.

Tuesday, January 18, 2011

“I Think That Making Love Is The Best Form Of Exercise” Cary Grant


My Top 10 Favorite Cary Grant Films:
•Bringing Up Baby (1938)
•His Girl Friday (1940)
•The Awful Truth (1937)
•Notorious (1946)
•Arsenic & Old Lace (1940)
•Charade (1963)
•The Philadelphia Story (1940)
•North By Northwest (1959)
•Topper (1937)
•The Bishop's Wife (1947)



Because his performanc­es seemed so effortless & because the debonair, dashing "Cary Grant" persona he created seemed so believable­, I think his talent has been underrated­. I particular­ly love NOTORIOUS. A great favorite of the Husband is THE AWFUL TRUTH, & the team of Grant & Irene Dunne is scintillat­ing, & the Husband cries whenever he catches an another of his favorites, the heartbreak­ing & heartwarmi­ng PENNY SERENADE, again with the fabulous Irene Dunne. ARSENIC & OLD LACE, HIS GIRL FRIDAY, NORTH BY NORTHWEST.­..what a wonderful legacy he left. I don't think he made a misstep as an actor. What is your favorite Cary Grant performance?

Friday, January 14, 2011

Born On This Day- January 14th... Actor/Writer Tom Tryon



I recollect my fascination with the photo on the back cover of the hardback edition of The Other. The movie star handsome author of the tome was staring back at me from the book jacket & I was all a tingle, with my teenage hormones in overdrive. I was 17 years old & doing summer stock in Coeur d’ Alene, Idaho. All 4 shows were up & running by the beginning of August, leaving me with days free to swim, sun, smoke joints & read. I bought the book because of the author’s photo, but The Other turned out to be a very well written thrill ride of a horror story, & I now had quite a crush on the writer Thomas Tryon as well.



Tom Tryon was an American film & TV actor, as well as author of several science fiction, horror, and mystery novels. He was born Thomas Tryon in Hartford, Connecticut. He used his birth name as an author & the shortened version for the acting career.

Tryon was on Broadway in Wish You Were Here, a long running 1952 musical starring Florence Henderson & Jack Cassidy. He moved on to Hollywood and was cast in several films, including Moon Pilot, The Longest Day & In Harm’s Way. He appeared often on television series & made for TV movies.

His rugged good looks & masculine demeanor typecast him as a matinee idol & Tryon was unhappy at the lack of good acting roles. His best known work was as the star of The Cardinal, a role which brought him a Golden Globe. But he fought often with the director Otto Preminger, who seemed to take sadistic delight in humiliating Tryon on the set. Preminger actually fired Tryon in front of his parents when they visited the set, then rehired him after being satisfied that Tryon had been sufficiently humiliated.

The experience with the abusive Preminger & lack of interesting roles moved Tryon to put the brakes on an acting career & he moved to writing novels. His first book- The Other (1971), a spooky thriller about a pair of evil twins, was a blockbuster bestseller & became a film by Richard Mulligan starring my good close personal friend- Uta Hagen in a rare film appearance. Next was the equally as scary-Harvest Home, a terrifying tale that was made into a rather campy TV mini-series starring Bette Davis. His collection of novellas on the theme of moviemaking- Crowned Heads featured- Fedora, a thinly disguised tale of Greta Garbo, & was made into a 1978 film by Billy Wilder with William Holden. I think the movie is terrific & true to the book. I loved all his books but I have a soft spot for Night of the Moonbow (1989), about a young kid at camp who snaps after being harassed by his fellow cabin mates. Tryon’s best work revolved around boys, & the mischief they get into.

I sensed that Tryon was gay. He struggled with his sexuality throughout his career, but basically came out when he became the lover of Calvin Culver, known in the porn world as the superstar Casey Donovan. At the same time, Tryon also was lovers with Clive Clark, a member of the original cast of A Chorus Line, & an interior designer who decorated Tryon's Central Park West apartment, which was featured in Architectural Digest. Culver helped Tryon finish Crowned Heads on an extremely tight deadline by typing up the revisions & offering suggestions. Their relationship ended because the attention & publicity his lover received made the closeted Tryon fearful of being outed, which he felt could destroy his career as a writer.

But, Tryon never wrote explicitly about homosexuality. He was never part of the gay scene. His feelings on the matter are hidden in between the lines of his strange, moody works. He died in 1991 from stomach cancer. I can still picture that handsome man on the back of the book jacket.

Monday, January 3, 2011

Born On This Day- January 3rd... Film Pioneer Dorothy Arzner

Dorothy Arzner was the most well known female director during Hollywood’s Golden Age. Arzner began her film career as a screenwriter, eventually rose through the ranks as an editor, & finally became a feature film director. Never hiding her lesbianism, Arzner went against conventions of the time by wearing men’s suits & sporting short hair. She lived openly with choreographer Marion Morgan for more than 40 years
.
Between 1927 & 1943, Arzner directed 17 features. Almost all have unconventional heroines, strong & self-sufficient, who must reconcile marriage & career. Like James Whale, her films resonate with gay subtexts.


After an illness in 1943, Arzner never again directed a feature & no one knows exactly why. She made Army training movies & taught film at UCLA, and she shot some Pepsi commercials, probably at the express request of her longtime friend & rumored lover, Joan Crawford. The Directors Guild of America, which she was the first woman to join in 1936, finally honored her work in 1975, four years before her death.

Monday, December 13, 2010

A Few Of My Favorite Things in 2010

“I like doing this because it’s what I’ve always wanted my entire life — people asking me my opinion.”
Fran Lebowitz

“I live like Marie Antoinette, if she had had money.
I like to live well & that takes work”.
Joan Rivers

Documentary films are having a golden age in the first decade of the 21st century, & 2 of my favorite films of 2010 were surprisingly honest documentaries about very funny New York women, both are favorites at Post-Apocalyptic Bohemia: Public Speaking, Martin Scorcese’s conversation with Fran Lebowitz & Joan Rivers: A Piece Of Work from Ricki Stern & Anne Sundberg.


Directed with inimitable & energetic style, Scorsese filmed Fran Lebowitz sitting & talking from 11pm-5am for a few nights, seated at her regular table at the Waverly Inn, in an onstage discussion with longtime friend- writer Toni Morrison & on the streets of NYC. Scorsese’s idea, Lebowitz said. The subject matter was not known ahead of time, her idea. Lebowitz: “The only deal that Marty & I made was Marty said, ‘O.K., we will not leave Manhattan.’





“We live in a world where people think happiness is a condition, but it’s not; it’s a sensation. It’s momentary. So do I have little moments of happiness? Yes. Is that my general condition? No. Is that anyone’s general condition? I can’t believe that’s the case. Are there people that are generally more buoyant than I am? Yes, most people. I don’t think of myself as being unhappy, I think of myself as being morose, but it’s just natural, it’s not my circumstances so much. I can be in bad circumstances like anyone else, or I can be in good circumstances, but in general, if you broke into my apartment & I didn’t know you were there, you would not see me whistling around the house.”


Fran Lebowitz is smart, sharp,& very funny. She started in the New York literary scene in the early 1970s when Andy Warhol hired right off the bus to write a column for Interview magazine. Decades later, she’s an acclaimed author with fans like me who clamber for her acerbic wit.


Lebowitz offers insights on gender, race & gay rights, as well as her pet peeves: celebrity culture, smoking bans, tourists & strollers. Lebowitz: “Gender is a very big piece of luck. Any white gentile straight male who is not President of the United States failed.” On Barack Obama & racism: "Racism a fantasy of superiority & a fantasy can end, you know. It probably won’t, but it can.” On aging: “At a certain point, the worst picture taken of you when you were 25 is better than the best picture taken of you when you’re 45.” About NYC: “New York was not better in the 1970s because there was more crime. It was better because it was cheaper.”


Public Speaking is on HBO on Demand this month. I plan to watch it several more times. I really need to get my cranky on & Fran helps. It receives an A on the Steve Report Card.


I saw Joan Rivers: A Piece Of Work on a first date on a beautiful summer evening. The Husband & I were double dating with our dear friend Lil’ Jake & his new beau- Special K. To me, a movie seems an odd first date, just as dining does, sitting with a stranger, performing an intimate act not always meant to be shared: Crying, Laughing, Chewing.


That first date went well, & now we face the true test of a friendship involving 2 couples- Travel. The Husband & I, Li’l Jake & Special K are going to attempt to visit Palm Springs in mid-February for Modernist Festival. After viewing Joan Rivers: A Piece Of Work, we all agreed that it was a superior documentary, entertaining, insightful, & freighting (including Ms. Rivers without make-up).



In the film, Rivers is presented as deeply human, motivated by anger, desperation, & fear. & yet Rivers' displays of sadness, grief, & outrage might be calculated for the film makers. Is Rivers just playing the part of an aging celebrity baring her soul in a documentary? Worth watching for the very funny & vulgar humor balanced with unexpected honesty & lack of vanity. An exceptional film about a complex woman. It receives an A on the Steve Report Card.

Put these 2 films on your Netflicks Queue.

Friday, December 10, 2010

Born On This Day- December 10th... Dreamboat Tommy Kirk

He is actually one of my youngest memories, & I sure could have done much worse. I was beside myself with grief after watching Old Yeller at age 4. I have never recovered. I used to use the memory of this movie as my method of crying on cue when I was an actor.





I had my 1st crush, before I could have ever formulated the concept or known why I felt so dizzy & tingly while watching The Hardy Boys serial on my favorite show- The Mickey Mouse Club. Michael Constantine & Tommy Kirk! I couldn’t stop feeling dreamy about them. Oh, how I wanted to be a Hardy Boy & solve mysteries along with those 2 boys. I almost couldn’t make it through Swiss Family Robinson with all the shirtless males & Tommy Kirk as close to naked as I could have ever imagined, & I magine I did.


Tommy Kirk was one of Walt Disney’s leading male star of the late 1950’s & early 1960’s: Babes In Toyland, The Shaggy Dog, The Absent-Minded Professor, Son of Flubber. His regular presence on the Wonderful World of Disney rocked my young world.


Tommy was the All American Boy. Someone I related to & wanted to emulate. His clean good looks, honest face & comic timing, & wholesome roles were how I aspired to be an actor. Little could I have understood that Tommy was gay.


Kirk knew his sexuality would create problems with his career as well as his strict Baptist parents. Kirk: "I consider my teenage years as being desperately unhappy. I knew I was gay, but I had no outlet for my feelings. It was very hard to meet people &, at that time, there was no place to go to socialize. It wasn’t until the early 1960s that I began to hear of places where gays congregated."




At age 23, Kirk was involved with a 15 year old boy he had picked up from a public pool. The boy's mother went to Walt Disney to complain, & Walt decided Kirk had become a liability, & personally fired him. His contract was dropped, but the studio did allow him to come back for The Monkey's Uncle (1965), which coincidently was Annette Funicello’s last Disney film as well.






Kirk: “My early sexual experiences as desperate & miserable. Mostly brief encounters, very back alley kind of things. When I was about 17 or 18 years old, I finally admitted to myself that I wasn’t going to change. I didn’t know what the consequences would be, but I had the definite feeling that is was going to wreck my Disney career & maybe my whole acting career. Eventually, I became involved with somebody and I was fired. Disney was a family film studio & I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney."


It was 1964 & Kirk was 23 years old & had been a star for more than a decade, & he was "box office poison." His films during this time included the campy Pajama Party & Mars Needs Women. Kirk: "After I was fired from Disney, I did some of the worst movies ever made & I got involved with a manager who said it didn’t matter what you did as long as you kept working." Kirk’s personal life also took a downward spiral: "I wound up completely broke. I had no self-discipline & I almost died of a drug overdose a couple of times. It’s a miracle that I lived through it all."


Kirk eventually left show business. Kirk: "Finally, I said, to hell with the whole thing, to hell with show business. I’m gonna make a new life for myself, & I got off drugs, completely kicked all that stuff." For 20+ years, Kirk has had his own carpet & upholstery cleaning business headquartered in the Valley. He wants to be remembered for the Disney work, especially Swiss Family Robinson, his favorite.



Kirk turns 69 today… one of my favorite numbers. Thanks Tommy Kirk for teaching a young boy how to be horny.






Friday, November 19, 2010

Born On This Day- November 19th... Webb Parmelee Hollenbeck

I love the euphemism from the 20th century for homsexual- Confirmed Bachelor. Clifton Webb is the very definition of the term. It shocks me, the films I missed when I was younger, even as I studied Film History. I caught Laura on Turner Classic Movies this autumn. Wow! What a terrific film!



A remarkable character actor, Clifton Webb was a familiar presence on Broadway in the 1920s & 1930s & in American movies of the 1940s & 1950s, a leading New York ballroom dancer, & a respected actor in stage roles both  drama & musical comedy. In his mid-50s director Otto Preminger chose him over the objections of 20th Century Fox to star as the elegant but evil radio columnist Waldo Lydecker in the film noir Laura (1944). His performance won him wide acclaim, & Webb was signed to a long-term contract with Fox. Clifton Webb’s deliciously eccentric, snobbish performance, as both a criric & Laura’s mentor is amazing. Patterned after real-life New York drama critic Alexander Woollcott, Webb’s dialogue is quotable from start to finish.


With Dana Andrews in Laura.

In the golden era of Hollywood,the sissy was usually a sexless fussy foil to the straight star, who entered briefly to liven things up with a quip & a raised eyebrow or a dramatic exit. In Laura, the sissy retains all the old characteristics: sophistication, brittleness, cynicism, while adding a new element of suppressed violence & sexual passion that threatens not only the other characters but also widely held cultural assumptions about the passivity of the effeminate male.

Webb played this role to perfection; as Waldo he is at once droll & scary, capable of pitifulness & viciousousness: "I should be sincerely sorry to see my neighbors' children devoured by wolves". He is both held in contempt & mollycoddled by a straight policeman, who doesn't realize until it is almost too late that this sissy is also a killer. Webb had the charisma & authority to rescue the sissy from minor roles; he is either the star or a major player in all of his films that followed.


On stage, Webb's  home was the Broadway theatre. He was tall, thin, & sang in a clear, gentle tenor. Webb appeared in 23 Broadway shows. He introduced Irving Berlin's Easter Parade & George & Ira Gershwin's I've Got a Crush on You, Schwartz & Dietz's I Guess I'll Have to Change My Plan. Most of Webb's Broadway shows were musicals, but he also starred in Oscar Wilde's The Importance of Being Earnest, & his longtime pal- Noel Coward's Blithe Spirit & Present Laughter, in parts that Coward wrote for Webb .

He was a major Hollywood star, remarkable considering that he was not particularly handsome or a real leading man. 2 years after his role in Laura he was reunited with his co-star- Gene Tierney as the elitist Elliott Templeton in The Razor’s Edge (1946). He received Oscar nominations for Best Actor in a Supporting Role for both his performances in Laura & The Razor’s Edge. Webb also received an Oscar nomination for Best Actor in a Leading Role in 1949 for Sitting Pretty, the first in a 3-film series of comedic Mr. Belvedere movies with Webb portraying a difficult but wise babysitter.

Webb was most certainly homosexual,  it was an open secret in the Hollywood community. His most important relationship appears to have been with his mother- Maybelle, to who served as his secretary, business manager, & his constant companion at parties. I can't imagine how he met guys. When Maybelle died at age 90, Noël Coward famously remarked that Webb was “the world’s oldest living orphan.”

Monday, November 15, 2010

Beverly D'Angelo Has A Birthday Today


I am a long time admirer of Beverly D’Angelo’s beauty & talent. The film version of Hair is in my Top Ten Films of all time & she really shines in that movie. Remember her Oscar nominated turn as Patsy Cline in Coalminer’s Daughter? But my favorite performance by Ms D’Angelo is from the little seen & vastly under appreciated Neil Jordan 1991 film-The Miracle. This film is dreamy & expressionistic & although I only saw it once, I have never been able to shake it.

 The Miracle is an unsung yet crucial point in Neil Jordan’s film career, a departure because it takes place entirely in Dublin. Perhaps it was a return home that prompted him to create a film about Ireland itself, & more specifically, the Irish family unit.


The film begins at the start of summer, a season with expectations, & the promise of excitement following the school year. Jimmy & Rose, childhood friends, spend hours daydreaming & making up stories for the people that surround them. No one is safe from their attempts to make sense of their world as they invent fantasies to interpret the mundane happenings of their seaside Dublin suburb. Each person they encounter is fodder for their notebook, a kind of sketchpad they use to develop the people around them into characters for their writing. Despite their dreaming, the young pair are still defined by their circumstances & they never contemplate escape or running away from home. Instead, they make the world around them conform to their vision of how it should be, creating their own chance encounters, happy endings, & ridiculous plot twists. This summer, however, they begin to lose control over their imaginations, and the stories they create seem to take on a life of their own. Beverly D’ Angelo plays an American actress who returns, after a long absence, to Dublin to appear in a local stage production of Destry Rides Again. The young people are drawn to her & she has secrets & mysteries to offer.


Neil Jordan’s films: The Crying Game, In Dreams, Breakfast On Pluto, Interview With The Vampire, always surprise in their ability to communicate their complex realities, whether stylized genres or stark realism, & often a combination of both. In The Miracle, the clash between the fantastic & the everyday occurs when we do not fit our ideal types. By the end, almost everyone has removed their mask, only to slip back into their accepted roles once more.


Check out this version of Stardust with just D’ Angelo & bass:


Monday, November 8, 2010

Born On This Day- November 8th: Talented Out Actor/Writer Craig Chester



I am a fan of actor Craig Chester, best known for starring in a string of independent films with single word titles: Swoon, Grief & Frisk. He also played Fred Hughes in I Shot Handy Warhol & best friend Terry in Kiss Me, Guido. Hollywood doesn't care all that much for openly gay, art film actors, even one who was nominated for a prestigious Spirit Award, so Chester takes time from acting to write screenplays & books.


I thought very highly of his delightfully witty & moving 2003 memoir: Why the Long Face?: The Advenures of a Truly Independent Actor. The title refers to Chester's experience with "Long Face Syndrome", a disfiguring jaw malady. Chester: “As a teen, I was looked like a Picasso sock puppet with pimples. A series of surgeries I was left swollen to massive, inhumane proportions, while on a liquid diet,I was made to sit at the dinner table, almost nightly, & watch in contempt as my father, mother, & sister gorged themselves on pot roast, chicken & dumplings, & sloppy joes." Happily, Chester survived this ordeal to have handsome, unconventional good looks.






On The Moth ( a group dedicated to strytelling) Podcast released on April 26, 2010, Chester recounts his encounter Montgomery Clift, who has been dead for 45+ years. Chester goes on to explain the story of how 2 separate psychics (one a professional psychic, the other a long-time psychic who does not provide readings for money) approached him to tell him about a spirit that insists on reaching him. They both explain on separate occasions, (Chester verified they did not know each other or are in any way connected) that Montgomery Clift wants Chester to write a screenplay about his life. The spirit of Montgomery Clift goes on to explain that he wants Chester to do this because he has the chance to live the life he was never able to; Chester is openly gay & Clift spirit explains he lived "in the closet" as a gay man during his life.


The spirit of Clift reaches out to Chester on another occasion, & explains (through one of the psychics) that he must go to his former home (which has been preserved since Clift's death) & spend the night there. This is where Chester finally made the connection to himself & Clift while soaking in the same bathtub that Clift died in.


Chester: "I understood him in a way that maybe nobody else would. And when we want that person to tell our story be somebody who understands who we are... I could be Monty's happy ending."


After the moment at Clift's house,Chester does not pursue the screenplay or Clift's memory. But soon after, Chester hears from a relative who does not regularly speak with him. She tells him that she had a dream about a man who looked like Chester, & he explained who he was & that she was to call Chester to tell him to find Elizabeth Taylor. Someone close to Chester, who had never been told this story before, & who did not regularly speak with Chester, called him to Cntinue his mission on Clift's behalf. Chester: "Elizabeth Taylor, if you're there, it's me, Montgomery Clift."

 Chester's Filmography:
Adam & Steve (2005)Quintessence (2003)
The Look (2003)
Bumping Heads (2002)
Circuit (2001)
The Anniversary Party (2001)
The Experience Box (2001)
Charlie! (1999)
The Misadventures of Margaret (1998)
Shucking the Curve (1998)
Kiss Me, Guido (1997)
David Searching (1997)
I Shot Andy Warhol (1996)
Frisk (1995)
Grief (1993)
Swoon (1992)




Thursday, October 28, 2010

Born On This Day- October 28th... Edith Claire Posener

“Good clothes are not a matter of good luck."









EDITH HEAD believed modesty was unbecoming & that you should have anything you wanted in life, but you had to be dressed for it. Edith head knew about dressing. The legendary designer saw all the Hollywood greats stripped down to their underwear or less. As the stars gazed upon themselves in the studio wardrobe mirrors, Head was the woman standing behind them, making them look impossibly glamorous while carefully avoiding glamour herself.


Hollywood's most famous & influential costume designer, as well as its most prolific, Head had a career that lasted 6 decades. She designed clothes for 1,131 films , an average of 35 a year, she dressed virtually every star who shimmered on screen in the golden age of movie making. Head was the last costume designer to be under contract to a major studio, Paramount. She was a woman who succeeded in a world, which in her day, was dominated by men.


Head wrote a pair of books: The Dress Doctor & How to Dress for Success, & played herself, giving a fashion show commentary in the 1955 film- Lucy Gallant, starring Charlton Heston & Jane Wyman.


She could be a bit playful with the truth, taking credit for designs she had not created: Audrey Hepburn's little black dress in Sabrina & the Newman/Redford wardrobe for The Sting, for which she won an Oscar. Always discreet about the size & shape of the stars' bodies, she knew about all the skeletons in their closets, but she was never one to gossip.


Head knew about the intimate secrets of Mae West's vast bosom, Gloria Swanson's wide waist & tiny feet (size 2 1/2), & swan necked Audrey Hepburn's broad shoulders. She often boasted that she was a magician: “I accentuated the positive & camouflaged the rest".


Head would make the stars, with all their flaws, look a million dollars, & she influenced the way millions of women dressed too, as a designer for Vogue patterns at a time when home dressmaking was all the rage, although Head could not sew herself.


Her costume designs for films went global. The sarong she fashioned for Dorothy Lamour in the 1936 film The Jungle Princess, Head had her stitched into it, made the actress a star & was copied by every swimwear manufacturer in the US. It is still copied today.


For Elizabeth Taylor in A Place in the Sun (1951), Head accentuated the teenage star's bosom & tiny waist with a strapless, bouffant-skirted white ballgown, scattered with violets. It became the prom dress for American teenagers when it was copied by all the leading department stores. According to Head, Taylor had the most beautiful shoulders in Hollywood, so she created dresses for her to show them off.


Bette Davis: "Edith Head’s life was all about glamour, 60 years of it, in the most glamorous place in the world- Hollywood," Head designed the brown silk, sable trimmed cocktail dress Davis wore as Margo Channing in All About Eve, warning everyone as she swept down the staircase for the big party scene to fasten their seat belts because it was going to be a bumpy night. Davis tried on the finished gown the bodice & neckline were way too big. Head was horrified, but Davis pulled it off her shoulders & shook one shoulder sexily: “Doesn't it look better like this anyway?" Head won one of her 8 Oscars for that film. Davis later bought the dress for herself, because she loved it so much. Head: "There were 8 important men in my life, & they were all named Oscar."


Head was working as a language teacher at the Hollywood School for Girls in 1932 when she bluffed her way into Paramount's wardrobe department. She already had a B.A. from Berkeley & a master's from Stanford, but then went to study art at the Otis Art Institute & the Chouinard School. She was hired by the studio as a sketch artist, although the fashion drawings.


By 1938, she was head designer, working on every prestigious production the studio made, and left only in 1967, when she joined up with Universal. Head spent the remainder of her career here, thanks to her friendship with Alfred Hitchcock, including Tippi Hendren's smart green suit made of textured tweed that would snag easily during an avian attack.


Head's career was not without controversy. After winning her Oscar for The Sting, she was sued by the illustrator who really designed Redford & Newman's clothes. the truth about her design of Audrey Hepburn's little black dress emerged only after her death, when the Paris couturier Hubert de Givenchy quietly admitted that he'd come up with the frock that was copied everywhere & worn by a generation of women; Head had designed all the other costumes in the film.


Head also adored Grace Kelly & was upset when the actress slighted her by not inviting her to design the wedding dress when she got married to Prince Rainier of Monaco. She did create Princess Grace's grey going-away suit, though.


Head: "I regret never having dressed Marilyn Monroe, never designing uniforms for the Chicago Cubs, & being alone. It is much easier being remembered than trying to remember." It was an open secret in Hollywood that Edith Head was a lesbian.


In the Pixar film- The Incredibles, the personality & mannerisms of the film's fictional superhero costume designer- Edna Mode’s sense of style, round glasses, & assertive no-nonsense character are very are a direct homage to Head's legendary accomplishments & personality.

I am so in Junior High School, & I of course think it was fun to write the word- HEAD 24 times.

Wednesday, September 29, 2010

Born On This Day- September 29th... Madeline Gail Wolfson

To say that I loved her is to say too little. She left us too soon. The 1st time that I took notice of Madeline Kahn was in Peter Bogdanovich's What's Up Doc? (one of my favorite films of all time) as the hysterical fiancée of Ryan O'Neal. What a feature film debut!



I was lucky enough to have seen her on Broadway in On The Twentieth Century with Kevin Kline, She Loves Me with Barry Bostwick, In The Boom Boom Room, & off-Broadway in Marco Polo Sings A Solo, back in those crazy 1970s. Her legacy will always have the triple crown of the close succession of Kahn comedies: Blazing Saddles (1974), Young Frankenstein (1974), & High Anxiety (1977), all were directed by Mel Brooks, who many Hollywood observers claimed was able to bring out the best of Kahn's comic talents. She was nominated for an Oscar for Blazing Saddles & for her amazing turn in Paper Moon, again with Bogdanovich directing. Kahn won a Tony for Windy Wassersein's The Sisters Rosenweig.



She died of ovarian cancer in 1999, & my life has never been the same. She was truly loved by the Husband & Me. Just a few nights ago, we stumbled on High Anxiety while channel hopping & we commented on her genius. Madeline Kahn, you are missed. She would have been  68 years old today.

Tuesday, August 10, 2010

Born On This Day- August 10th... Forgotten Star- Norma Shearer

I was so callow as a youth, that in Film Theory class, all that I could muster for the work of Norma Shearer was cynical comments about about her crossed eyes & unusual mannered performances. I would later come to appreciate her talent. Now mostly forgotten, unlike the other ladies of MGM's Golden Years, she had a career that lasted less than 20 years, yet made 100+ films (in 1927 alone, she made 13 silent movies), almost all of them hits & well reviewed. She was Oscar nominated 6 times, winning for The Divorcee (1930). Norma Shearer was just the perfect personality for her era, & she made a series of highly successful "Pre-Code" adult oriented films: Let Us Be Gay (1930), Strangers May Kiss (1931), A Free Soul (1931), Private Lives (1931) & Riptide (1934). All of these were box-office hits, placing Shearer in competition with Joan Crawford & Greta Garbo as MGM's top actress through the remainder of the 1930s.



Norma Shearer was dubbed “The Queen of MGM” & indeed she was married to studio head- Irving Thalberg. Shearer's marriage to Thalberg gave the sort of power in Hollywood that was resented by other stars. Joan Crawford: "How can I compete with Norma when she's sleeping with the boss." Although she was devastated by the early death of Thalberg, she did enjoy liaisons with the then married actors George Raft, Mickey Rooney, & the unmarried actor James Stewart.


Shearer retired from films in 1942 & married ski instructor Martin Arrougé, 10 years younger than the star. Shearer withdrew from the glamor of Hollywood & preferred anonymity. They were still married at the time of her death in 1983 from Alzheimer's disease at 80 years old, although in her declining years she reportedly called Martin "Irving”. She is entombed at Forest Lawn Memorial Park, in a crypt marked "Norma Shearer Arrouge", along with Irving Thalberg. Her friend Jean Harlow is in the crypt next door. Thalberg's crypt was engraved "My Sweetheart Forever" by Shearer.


Norma Shearer was one of the muses of the great photographer- George Hurrell.


Thursday, August 5, 2010

How Can I Ignore The Boy Next Door

Alfred Sinclair Alderdice was born on this day- August 5th in Brooklyn & at some point in his stage career & after several other name changes, he became Tom Drake. He made films starting in 1940 & continuing until the mid-1970s, & also made many TV appearances. Drake was deeply closeted, easily given to despair, never known to have a serious romance (although he bedded Rock Hudson & James Dean), with a profound drinking problem & lived a life of fear of being found out.





1942 & 1943 were years of tremendous change at MGM. The majority of the great stars groomed by Irving Thalberg during the 1930s departed the lot. Clark Gable, Robert Taylor, Lew Ayres, Mickey Rooney, Robert Montgomery, & James Stewart joined the armed services & were away from Hollywood for the duration of WW2. Greta Garbo & Norma Shearer left the business. Joan Crawford, Rosalind Russell, Jeanette MacDonald, Nelson Eddy, Eleanor Powell, Myrna Loy, Margaret Sullivan, & Robert Young fulfilled their contracts & left for other studios & other pursuits.


These stars were replaced  by young "boy & girl next door" types: June Allyson, Van Johnson, Robert Walker, Esther Williams, & Tom Drake. Drake was enormously popular with a primarily teenage audience for a couple of years, although he was eventually overshadowed by the more ebullient Van Johnson.Tom Drake was excused from serving in WW2 due to health problems.

 After a number of films, Drake had his best role yet as John Truett, the boy next door, in the classic Meet Me In St. Louis (1944) with Judy Garland. He appeared in more than 40 films, including Mrs. Parkington (1944), The Green Years (1946), & Words & Music- MGM’s top budget production of 1948. Ironically,Drake was cast as the very heterosexual composer Richard Rodgers to Micky Rooney’s Lorenz Hart (gay in real life). He was good in the part, but the film was over produced & purported to tell the life stories of the famous partners, but it was entirely fictional. The film did contain the partner’s  great songs: My Heart Stood Still, Slaughter on Tenth Avenue, Small Hotel, The Lady Is a Tramp, & Where or When taken from their shows: Babes in Arms, I Married an Angel, Pal Joey, & On Your Toes. Guest stars performing the various musical numbers included Judy Garland, Gene Kelly, Lena Horne, Mel Torme, & Cyd Charisse. Their take on the musical numbers make this movie worth viewing.






Tom returned to the stage in 1952 appearing briefly on Broadway & he toured in 1953 in a stage version of Stalag 17. His friend, Elizabeth Taylor, persuaded MGM to cast him as her brother in Raintree County in 1957.


Later that year Drake traveled to England to star in a film- Date With Disaster (also the name of a chapter in my memoirs- Jockstraps & Vicodin: The Early Years). He remained in Europe for over a year, living most of the time in Rome. Drake returned to California with his drinking problem out of control. He was also a very heavy cigarette smoker. A determined Drake managed to kick both habits. He continued his career on TV, & with occasional movie roles such as The Sandpiper, with his friend Elizabeth Taylor, The Singing Nun & Red Tomahawk!


Never able to fulfill his potential, Drake continued into the 1970s playing small roles in 'A' pictures, the occasional lead in low-budget films, & guest roles in numerous different TV drama series in almost every year from 1950 onwards. A classic example of how talented people could fall between the tracks of the studio contract system, Tom Drake spent his final years with a job as a used car salesman. His health began to deteriorate & he was forced to give up work. Tom moved in with his sister & retired from acting. He died alone & mostly forgotten of pneumonia in Torrence, California in 1982.



Drake loved to eat garlic. The garlic caused a problem during filming of Faithful in My Fashion, in which he was co-starred with Donna Reed. Tom had eaten a heavily garlicked dinner the previous night, & the 1st shot in the morning called for him to romance Donna while dancing & singing softly in her ear. Donna strenuously objected to the strong odor that seemed to exude from Drakes's every pore. It made her physically ill. Production was suspended for the day, & Drake was ordered not to eat garlic while working on a film. Donna forgave him, & they remained friends during the rest of their lives.

Tuesday, August 3, 2010

I Can't Stand 'Em... Happy Birthday, Jean Hagen!

On a cold winter, drizzly, dank evening in December, the Husband, our friend T & I set out to do something I had always wanted to do since I was quite young, but had always eluded me- enjoy an evening of massage with the US Olympic Men’s Gymnastic team, viewing one of my favorite movies, that I had only seen on TV, but never on the on the big screen. We were able to view Singin’ In The Rain, with a new print on the full screen. It did not disappoint. The film continues to delight with the mastery & freshness of the talent involved. Singin’ In the Rain holds a rightful place as one of the truly great works of art on film. What did take me by surprise was not so much the beauty of Gene Kelly’s ass, but the staggering, startling, striking, stunning, stupefying, stupendous work of Jean Hagen as the vain & talentless silent movie star Lina Lamont. Without her finely crafted & perfectly modulated performance, the movie would have fallen short of being a perfect film. Hagen received an Academy Award nomination for Best Supporting Actress for Singin’ In The Rain.


 In 1953, she had joined the cast of the new Desilu television sitcom Make Room for Daddy. As the very funny wife of Danny Thomas, Hagen received 3 Emmy Award nominations, but after 3 seasons she grew dissatisfied & left the series. Thomas, didn't appreciate Hagen’s leaving the successful series, & her character was killed off rather than recast. This may be the very 1st TV character to be killed off a family sitcom. Marjorie Lord was cast a year later as Danny's 2nd wife & worked well with Thomas for several more seasons.


Although she made frequent guest appearances in various television series, she was unable to successfully resume her film career, & for the rest of her career Hagen played small supporting roles, the secretary to FDR in Sunrise at Campobello (1960), & the friend of Bette Davis in Dead Ringer (1964). In the 1960s, Hagen's health began to decline as she was diagnosed with throat cancer & she spent many years hospitalised or under medical care. A tough situation for an actress known for her voice.


In 1976, she made a comeback of sorts playing character roles in episodes of TV series- Starsky & Hutch & The Streets of San Francisco, &made her final film appearance in the 1977 television movie Alexander: The Other Side of Dawn. Hagen succumbed to her illness at the Motion Picture Country Home & hospital at the way too early age of 54. Her last appearance was released posthumously, a reprise of her role in The Shaggy Dog for the The Wonderful World of Disney in 1978. Her star on the Hollywood Walk of Fame is at 1502 Vine Street.  On her birthday, let's take a moment to remember what she achieved in the greatest film musical of all time. She was a marvel & a special kind of genius... a beautiful clown.


Saturday, May 29, 2010

Rupert James Hector Everett Turns 51 Today

We were already big fans of his good looks & his talent. The Husband waited on Rupert Everett, in town for the Seattle International Film Festival showing of Another Country, at the then famous gay dining spot- The Ritz Café on Capitol Hill is Seattle. The Husband came home with the sordid tale of Everett’s bad behavior, culminating in his passing out, face first into a plate of food. I somehow loved the actor even more.



At 15 years old, Rupert Everett ran away from boarding school & went to London to become an actor. He starred opposite Kenneth Brannagh in the play Another Country when he was 23. He did the film version, based on the life of the spy Guy Burgess, with Colin Firth when he was 25. He came out when he was 29 & the offers dried up. He gave interesting & deft performances in Pret-a-Porter & The Madness of King George, but when he starred opposite Julia Roberts in My Best Friend’s Wedding, the industry was abuzz with the idea of the “gay best friend” as an asset for a story line. It was unique to have a gay character who is happily partnered, not a victim, not dying, or not a sissy. He carried the film with the charm of Cary Grant. The followed the box office winner as Christopher Marlowe in Shakespeare in Love, An Ideal Husband, Inspector Gadget, A Midsummer Night’s Dream, The Next Best Thing, The Importance of Being Earnest, & Stage Beauty. He is the voice of Prince Charming in the money making Shrek franchise, disproving his own theory that out actors can’t get work.



Everett has written 2 novels & a memoir, in which he included the fact that for a time he was a rent boy. I adored Rupert's book Red Carpets & other Banana Skins. He is honest, hugely funny & deeply wise about human nature, particularly his own. His beautiful face, his lovely manners, all his attractive qualities seem worth the cash to me.


Rupert Everett has been urging gay stars not to come out & to keep their sexuality a secret as it could end their film career. he came out as gay 25 years ago & admitted that since then, he has been given only supporting roles.




Everett is now suggesting that aspiring actors stay in the closet as it could harm their career: “It's not that advisable to be honest. It's not very easy, &, honestly, I would not advise any actor necessarily, if he was really thinking of his career, to come out... The fact is that you could not be, & still cannot be, a 25 year old homosexual trying to make it in the British film business or the American film business or even the Italian film business.It just doesn't work & you're going to hit a brick wall at some point. You're going to manage to make it roll for a certain amount of time, but at the first sign of failure, they'll cut you right off. I'm sick of saying: ‘Yes, it's probably my own fault.’ Because I've always tried to make it work & when it stops working somewhere, I try to make it work somewhere else. But the fact of the matter is, & I don't care who disagrees, it doesn't work if you're gay.”


Everett added that he does believe he is happier than those other major stars who are keeping their sexuality a secret: “I think, all in all, I'm probably much happier than they are. I may not be as rich or successful, but at least I'm vaguely free to be myself.”



John Schlesinger was a great director, responsible for Midnight Cowwboy & Sunday, Bloody Sunday, ground breaking gay themed films. But... I think The Next Best Thing is one of the worst movies I have ever had to sit through. Drek. I stayed with it for Mr. Everett.

Tuesday, February 16, 2010

"I Saw Something Nasty In The Woodshed"... John Schlesinger On the Day Of His Birth

It would be impossible to underestimate the influence 2 of John Schlesinger's films had on my life as a gay man. Midnight Cowboy (I was 15 when I saw this X rated film) & Sunday Bloody Sunday ( I was 17) both contained mind blowing moments for me. Truly great films, they both have fascinating gay characters as well as homoerotic moments that lodged in my young gay mind & stayed through my middle age. Jon Voight is a luscious Ken Doll in Midnight Cowboy, & Murray Head could be the poster boy for sexy 70's male in Sunday Bloody Sunday. Glenda Jackson watching Murray's perfect physique as he showered made me consider how I felt when I stood next to beautiful boys in showers. I kept sneaking a peek & wondering if any of them would ever be mine.


Sunday Bloody Sunday is an astonishing film for it's time, the 1st film I ever saw where a gay man was rather "normal" & sympathetic & where male attraction we enevitable & fated.  Is it better to share a lover than to have none at all? This is essence of John Schlesinger's film, a story of two people, a gay middle-aged Jewish doctor (Peter Finch) and a 30-ish working woman (Glenda Jackson), who are romantically intertwined with a boyish artist (Murray Head) who treats them both with a dismissive interest.




• 1965 Darling


• 1969 Midnight Cowboy


• 1971 Sunday Bloody Sunday


• 1976 Marathon Man


• 1996 Cold Comfort Farm


John Schlesinger was treated well in hislife time, but history has not been as kind. He won Oscars for Best Picture & Director in 1969, got nominations in 65 and 71, was still doing important work through the 1970’s, but made so many mis-steps in the 80’s and 90’s that when he made his last great feature film, it was all but ignored. He followed that up with the 2 worst films he ever made, the dreadful thriller Eye for An Eye & the miserable Madonna & Rupert Everett vehicle The Next Best Thing (it must have seemed a good idea on paper) & then he died in 2003, remembered only because headlines said “Oscar winning director dies.”


But Schlesinger was a very important part of British cinema in the 1960’s, making the brilliant swinging 60s- Darling & Billy Liar, A Kind of Loving &  the beautiful Far from the Madding Crowd were brilliant, with gorgeous production values & 1st rate acting. He then moved to Hollywood & made such thoughtful films as Day of the Locust & Falcon& the Snowman. It is true that his films after that rarely rose above mediocrity, but his last great film is truly a great treasure & one of the Husband & my all tome top 10 favorites.








Technically, Cold Comfort Farm came out in 1995, but it was released in theaters & would have been Oscar eligible had it not played on television in Britain. Itreceived good reviews but not much notice. Maybe it was a matter of timing, the film was riding the wave of Jane Austen films (though it is not Austen & set in the early 30’s rather than the 19th century, but it was a British costume comedy of manners), but how much more would it get noticed today now that Ian McKellen is known the world over & not just as the guy from the interesting Richard III and that Kate Beckinsale is thought of as one of the world’s most beautiful women & not just the actress who was okay in Much Ado About Nothing.


Cold Comfort Farm is a wonderful film. Kate Beckinsale (wearing no black leather jumpsuits) portrays a city girl who goes to live with her cousins in the country & perhaps discover herself as a writer. The collection of very odd cousins include the crazed matriarch (Sheila Burell), the earthy Seth (Rufus Sewell) & enigmatic preacher father, played by Ian McKellen in a fantastic & eccentric performance. Bryan Singer told McKellen, 2 years later while making Apt Pupil, that McKellen should watch this guy’s performance in Cold Comfort to get some ideas, he didn’t realize he was talking to the same person. Add in nutty, only slightly restrained performances by the great Eileen Atkins, Julia Margolyes, Joanna Lumley, & Stephen Fry for a great mix of humor & style.


The film has a happy ending, as  a Hollywood producer enters the story (in an amusing aside that perhaps would presage the Bob Balaban character in Gosford Park), but the true happiness is that Schlesinger made one more great picture, even if it was mostly ignored on impact.


Schlesinger underwent a quadruple heart bypass in 1998, before suffering a stroke in December 2000. He was taken off life support at Desert Regional Medical Center in Palm Springs on July 24, 2003 by his life partner of over 30 years, photographer Michael Childers. Schlesinger died early the following day at the age of 77.

Friday, February 12, 2010

"You Either Got It, Or You Ain't... & I Got It!" My Life At The Movies

“Share three classic movie moments that have, in some shape or form, made you buy things, do things, think things that perhaps you shouldn't have.”


I received this directive from my friend, the lovely & cosmopolitan- Felix In Hollywood… A Blog For The Smart Set (& that it is). So in the spirit:

The last scene in Gypsy at the end of Rose’s Turn: “I thought you did it for me, Mama. I thought you made a no talent ox into a star, because you liked doing things the hard way, Mama!”



On my first viewing of Gypsy, during to the final scene, I came to startling realization that I could have been a really big star, except that I had put the needs, hopes & dreams of everyone else ahead of my own. I was 8 years old.




After viewing the big dinner scene in The Big Chill, I mistakenly had deduced that with a soundtrack of vintage R&B tunes, a cool but funky beach house, the right lighting, & plenty of pot & liquor, I could recreate the best times of youth & reconnect with my friends from my college years. I also thought that I might be able to sleep with Jeff Goldblum. Such is the power of movies.

Sam Weber: So how's your life?



Karen: Oh, great. How's yours?


Sam Weber: Not so great.


Karen: Ohhh, we're telling the truth.








After 30+ years of watching every possible TV offering of the Thin Man Films, I erroneously began to believe that a martini was smart accessory for every occasion. Even more deluded, I came to believe that I had the style & élan of William Powell; I would never be rattled to discover a party in progress at my house when I returned home from a trip. I recently asked the Husband- "Are we more George & Martha or Nick & Nora?" He said- "Nick & Nora", with no hesitation.



Nora:"If I was in a fire in the third floor, would you save me?"


Nick:"It's too late for you to be saved, baby."


I tag:
Handsome,shaved head, actor/singer/director- Stephen R. at Are You There, Blog? It's Me, Stephen

Smart & sassy actor/writer/director Uncle Prospero at Caliban's Revenge

Cute & fascinating Jason at Night Is Half Gone

Charming & Talented Michael Rivers at Michael Rivers- The Blog

My good close personal friend & fellow Portlander, the lovely A. Lewis of Sprit Of St. Louis